Photoshop Text – 5 Must Know Techniques

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1 – Create a Text Layer

To create a standard type layer the user should click onto the image with the type tool selected. Photoshop will place all type onto its own unique layer. To edit the text the user should carry out two tasks. First select the appropriate type layer, second the user should select the type tool. The type can now be edited.

2 – Point Text and Area Text

This technique is where the user will click onto the screen and begin typing. Point text does not support automatic text wrap. The type will simply continue off the screen if the user continues typing. Area text consists of text inside a frame which supports text wrapping. To create this frame draw a box with the text tool and type inside the box and begin typing, when you reach the box edge the type will continue onto the next line.

3 – Text Inside a Custom Shape

This is also known as a clipping path where the text will show through an object. This technique is achieved by placing an image above the text layer, right click on the image and choosing 'create clipping mask'. The image can now be moved while the text will remain in the same location. To select the text the user must tun off 'auto select layer' in the layers palette. Next select the text directly and move it around the stage. This will move the text but not the image.

4 – Text on a Path

The process of orientating text to a vector path. The path can then be edited using the path selection and the direct selection tools. The text will adhere to all the normal vector text formatting attributes.

5 – Text Style

This technique can be applied to the text using layer styles. To apply select to the text layer, choose FX at the bottom of the layers palette and select the appropriate style such as drop-shadow. The effect can be copied to other text layers by clicking on the effect with the Alt key pressed and dragging to a new layer. The effect can also be recorded into the layer styles palette.

To preview the font assigned to an object quickly we can select the appropriate word, select the fonts in the font family section of the type option bar and use the up and down arrow keys to toggle through the available fonts. This will provide a real time preview of the font assigned to the word. To release the type tool select CMD / CTRL Enter.

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Source by Peter Meehan

Photoshop on Linux

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CAN you run Adobe Photoshop on Linux?

Many Web designers, graphic artists and bloggers might consider the answer to this question crucial when considering a shift from Windows.

After all, while there are many excellent open-source alternatives to common office and multimedia applications, the defacto graphics program on Linux, the unfortunately-named Gimp, hobbles a generation or two behind the market-leading Photoshop, which is available only for Windows and Mac OS X.

Years of speculation and wishful thinking have not yielded a Linux version from Adobe, nor does one look likely to come anytime soon.

As they are often wont to do, users have taken matters into their own hands, using free and open-source software called Wine to run Windows programs – including Photoshop – in Linux.

A group of hackers began the Wine project in 1993 as a way to run Windows 3.1 programs on Linux. Over the years, Wine has been expanded to include programs running under later versions of Windows, including 95, 98, 2000 and XP.

Wine, short for "Wine Is Not an Emulator," is software that translates Windows commands into their equivalent in Linux or Unix.

While the project is more than a decade old, Wine is still under testing, with the latest beta version being 0.9.18.

"Wine is still under development, and it is not yet suitable for general use," the official Web site ( http://www.winehq.com ) says. "Nevertheless, many people find it useful in running a growing number of Windows programs."

Intrigued by the possibilities, I did some research and found a 2003 article in eWeek about how Walt Disney's animation unit and two other competing studios jointly funded a project with CodeWeavers, the leading corporate backer of Wine, to develop a solution that would allow them to run Photoshop on Linux.

The project cost Disney less than $ 15,000, but saved it more than $ 50,000 a year in Windows licenses, eWeek reported. At the same time, CodeWeavers was able to incorporate the technology into Wine and its commercial version, CrossOver Office.

A quick check with the Wine Web site showed that Photoshop was indeed among the 4,398 Windows applications that would run under Wine.

Setting up Wine and using it isn't rocket science, but it's probably complicated enough to intimidate the typical Windows user.

I downloaded Wine (using the Synaptic Package Manager in Ubuntu Linux) then configured it by using the winecfg utility (type "winecfg" in the Terminal command line). Doing this the first time creates a fake "Drive C" in the hidden .wine directory of your home folder. This is where Wine installs all Windows programs.

To install a Windows program, pop in the install CD and type this into the command line:

wine /media/cdrom0/setup.exe

The Windows installer will come up and install the program.
Theoretically, to run the program, you'd type the following:

wine "C: Program FilesAdobePhotoshop 7.0Photoshop.exe"

Sadly, this did not work. Further research showed I needed to tell Wine which dynamic link library or DLL file to use. This line from an Ubuntu forum does the job:

WINEDLLOVERRIDES = wintab32 = n wine "C: Program FilesAdobePhotoshop 7.0Photoshop.exe"

To save myself some typing, I created a script that executes the command when I click on an icon.

So how does running Photoshop in Linux measure up?

In general, I was pleasantly surprised by the program's responsiveness. There was none of the sluggishness that I expected and most of the features I use heavily work.

There are some major caveats, however.

1) Right-click menus do not work. In fact, they can lock up the program. This is a pain, because I'm used to right-clicking on items in the Layers palette to manipulate them. Fortunately, there is a work-around for this, using the menu bar at the top of the window.

2) Resizing the Layers palette will also crash the program.

3) Alt-clicking on an area does not work for the Clone tool. Instead, you must hold down the Shift key while doing the Alt-click.

4) The Tools and other palettes will remain on screen even when you minimize Photoshop.

These are pretty serious problems because you could lose a lot of work. On the other hand, if you're careful to avoid these pitfalls and save your work periodically, you ought to be able to run Photoshop productively under Linux.

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Source by Chin Wong

The New Features in Photoshop CS5

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Adobe Photoshop is the program of choice for many graphic designers. The CS4 had some great additions such as the adjustments panel, canvas rotation, masks panel, and improved performance / quality of the program itself. But what does the Photoshop CS5 offer to fans of CS4? Are there any worthwhile features? Let's look at 5 new features in the CS5.

The first new feature is the painting feature. You can click on the paintbrush on the left hand panel and pick your brush. You can then go in with this paintbrush and do different things such as blend different colors and use different brushes. The results in what that looks like a real painting. This feature can also be used over existing work to turn an original into a painted version.

The second new feature is the refined edge command that can take an existing part of a photo and paste it into a new layer. One of the hardest things to do is to capture the little details such as strands of hair when moving parts of images. But with this command, you simply go over the areas where you want to refine and when you move it to a new layer, it will look like it was originally created in that layer.

The third new feature is really an exciting new technology that can help you save a lot of time. When you try to edit an image and take one part of the image and move it to another position, the challenge will lie in the background behind the original position of the image. The content-are feature predicts the colors that would've been there and fills the missing background similar to the overall background. Just think about how easy it will be to retouch your images.

The fourth new feature is the puppet warp tool. What does this it allows you to take an image and edit it the way you want. As an example, if you want to make somebody look like they were leaning a little more than the original image, you can set points on the body you want to manipulate and warp it so that the positioning and look is different.

The fifth new feature is the HDR pro controls. You can really use this to transform your pictures. You can turn a picture of a beautiful sunny lakeside into a lakeside reaching sunset. You can manipulate the lighting to make it look surreal or more realistic. This is a really great feature that can help you control the mood of the photo.

There are many more features in the Adobe Photoshop CS5. The Photoshop CS5 has features that are designed to take your work to the next level and make all your editing work faster. Photoshop fans will be excited when they try out the new features and put them into action.

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Source by Mandi Pralle

Vector Art Techinque

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Vector Art is a technique, which means art created with vector-based programs. Vector art basically uses dots, lines, and curves. Vector programs take note of the relationship between these elements. This allows images created to vary their scale without losing quality or pixelating. In comparison, pixels lose quality when they are raised above 100% of their size.

Popular vector programs are Illustrator, Freehand, Corel Draw, and Flash. Almost everything created with these programs is considered as vector work. I say "almost" because there are exceptions to each rule. If your vector work combines vector images with raster images, I'm afraid that it is no longer a vectorial work (and consequently does not belong to the Vector Gallery).

For example: to finish your vectorial work, you think that your work is missing something, and you put it in Photoshop to give it a small texture, trying to complete it more. At that moment it is no longer a vector work, and you should upload it to "Digital art> Mixed Media". In the same way, if you take the rasterized texture and put it in Illustrator by applying a layer style, nor would it be a vector work.

As this texture cannot be increased by over 100%, it makes your vector technically useless after raster images in original size. Do not even think that you cannot add textures to your vector work. Many of these programs come equipped with samples of detailed patterns, textured brushes, even with "Live Trace", which as its name indicates, traces raster images and converts them into vector graphics.

Reiterating and ensuring there is no confusion, here is a list with programs generally considered as raster-based: Photoshop, Painter, MS Paint and a great free alternative, Gimp. Basically, everything created with this program is considered rasterized image. A few of these programs are able to create images with points, lines, and curves, just as a vector program would do.

The same Photoshop can make images based on vectors, however, they are usually considered "vexel" because vexel artists usually include brush strokes on their images (for hair, etc.).

Speaking of brushes. Just because you have downloaded and installed a set of brushes for Photoshop (or any other raster image program) that has the word "vector" in its title, it does NOT mean that your work is vectorial. These brushes come in various sizes, and no matter what resolution you apply them, they can never be increased above 100% of their size without losing quality.

Put simply, Vector is not a style like Anime, but it is a medium like charcoal. Asking what vector art looks like is like asking what oil paintings look like. It might resemble Rembrandt, Picasso, or a painted one with the fingers of a fifth grader.

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Source by Kat Egerton

Why Image Masking Is Necessary

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In Post-processing, it is nearly impossible for a designer to avoid using the image masking features and methods. Image masking opens up a new window of endless editing effects and a dedicated designer is bent on taking every single opportunity.

Sound knowledge about these options and functions will ensure a satisfying end result. Now to address the question at hand:

Non-Destructive: As opposed to erasing a background using the Eraser Tool, masking technique does not obliterate the image details. They are cleverly hidden below various layers so that they can help us out in case we need to make changes. On the contrary, the Eraser tool permanently deletes these pixels and it is close to impossible to bring those back in case a tweaking is required.

Transitions: The basic or simplest function of image masking technique is to have a "hide and seek" effect in some areas of the photo. This transitioning effect can be created using brushes and gradients for soft masking. This requires delicate strokes and soft brushes. This transparency of pictures can be controlled. The opacity level can be adjusted to suit the photo and its background. This is not the only technique for achieving this effect, but it is the simplest.

Editing Specific Areas: Many times we are faced with projects where we need to edit a small portion of the photo; such as, changing the color of someone's clothes in a photo and fixing shadow / light issues. You can use masking techniques to highlight the portion and edit it as you wish eg color correction, brightness, contrast, exposure, shadows etc.

Removing / Replacing Background of Translucent Objects: Masking is an easy option when it comes to removing backgrounds of translucent objects. Any object with any level of transparency can be isolated from its background by careful masking. Even in cases of semi-transparent clothes' photos, this technique can be applied.

Single Advantage of Clipping Mask: Clipping mask , when compared to Layer Mask, has the advantage of making different areas visible by simply moving the clipped image. It can be determined by the user which part of the background they want to be visible and which part they don't by using clipping mask. Other than this one advantage, regular layer masking is more than good enough for most masking work.

Creating Collage Photos: Collage images are fun and it is even more interesting when you play with the masking tools while making a collage. Interesting and cool effects can be made by using a number of pictures and masking them. Soft brushes in varying gradients and hues of gray will definitely make these blending smooth.

Photoshop techniques have no ending possibilities and features to manifest your wildest imaginations. The same result can be achieved by using many different tools and features in Photoshop. Each user is skilled in each technique which is what determines the ultimate output. Which technique you want to use is entirely up to you!

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Source by Nayan Chowdhury

If You Shoot RAW and Work In Photoshop

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If you shoot RAW and work with Photoshop you know how frustrating it can be when you cannot see your images / files when skimming your image folders. Then you have to open Photoshop to see your PSD and RAW files and this takes time and for me time is money.

Today instead of checking my email and getting hit by a barrage of cyber Monday specials or dime sale guru's trying to sway my attention with their worthless crap I decided to do something productive.

I'm going to play around with Adobe Bridge because I found this great little tip that can save time and I want to share it with you.

1.) For Start this exercise go straight into Adobe Bridge

2.) Select your image then PC right-click or Command click Mac

3.) Choose Open in Camera Raw from the contextual menu

This opens you image in Bridge's Camera Raw not Photoshop's Camera Raw. What is really cool you can toggle full screen mode by clicking (F) on the keyboard or the double arrowhead in the box next to the black upward pointing arrow called the shadow clipping warning?

That way you can get a full screen view of your image and see if it is a worthy shot you want to spend some time on. This quick, easy and fast tip is a great way to judge for composition, sharpness and detail.

That being said if the histogram dynamic range is within reason and not all bunched up on either end of the scale you should get a fairly good result with exposure, color and contrast.

As in this image considering it was dull, lifeless and flat as it looked from the start, that's why I love shooting Raw.

Here is the list of the adjustments I made in Camera Raw for this particular daytime image.

Tall Ship Before

Tall Ship After

I made my Camera Raw adjustments. It's best if your browser opens separate tabs then you can click each one and compare the marked improvement.

1.) White Balance – Daylight

2.) Temperature – 5500

3.) Tint +10

4.) Exposure -0.45

5.) Recovery 50

6.) Fill Light 2

7.) Blacks 16

8.) Brightness +51

9.) Contrast +63

10.) Clarity +65

11.) Vibrance +63

12.) Saturation -22

If you were to zero out all the setting above you'll get the lifeless image I had when I first opened the file in Bridge Camera Raw.

Now the image "Pops" is it perfect? Of course not but does it matter no because it's a moment in time that I can look back on and remember what a great day we had in Newport, Rhode Island photographing the Tail Ships. You can see the before and after image on my Facebook fan page.

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Source by SA Serpa

Photoshop's Starburst Effects

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Photoshop is now widely used especially by media people. Most commercial prints have undergone altering in Photoshop before being released in public. It is a great way to edit and create graphics. Your imagination is the limit.

One of the salient features of Photoshop is the Starburst Effect. Go the filter menu> stylize> wind. Experiment on different settings. Example:

o Method: Blast
o Direction: Form Right to left.

Click OK when satisfied with your settings and see the effect on your image.

Take note that in the wind filter, black and white reacts differently. Use black to follow the direction of the wind. Use white to go the opposite direction. The output will look like an overlapping of black and white colors.

Hit Ctrl + F to repeatedly to spread spikes and minimize the black area.

The "Motion Blur" Filter gives a smoother effect compared to the original image. Try the following settings:

o Angle: 0 (zero)
o Distance: 200

Try rotating the canvas to 90 degrees under Image> Rotate Canvas. Use Polar Coordinate Filters for other special effects. Open the Filter / Distort Menu. Set filter to "Rectangular to Polar." Apply the filter when satisfied with the setting.

The starburst effects is best appreciated in a transparent background. The first option is to hide the background layer. Otherwise, delete the background with the eraser tool.

Hit Ctrl + Shift + I to invert selection (for MAC: Cmd + Shift + I). The initial black layer will be accentuated with a transparent starburst layer.

Create a new layer at the top of the Starburst layer. Fill this layer with the color of your choice. Experiment on the different blending effects like blend mode, overlay, soft light, color burn or color.

Next, strengthen and soften the inner center spot. Duplicate the previous starburst and apply "Pinch" under the Distort Menu. To strengthen the impact, repeat the process.

At this stage, some details may have been lost. Retrieve lost detail with the unsharp mask tool. Try the following settings:

o Amount: 50%
Radius: 0.5
Threshold: 0

Keep your starburst as a separate layer for possible use in your other projects ..

There are a lot of things more you can do with Photoshop. Keep on exploring and experimenting.

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Source by David Urmann

Photoshop Can Be Easy to Learn – Start Today

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If you are a beginner at digital photography and want to learn how to manipulate your images, I recommend you learn Photoshop. Now, there are plenty of inexpensive Photoshop clone programs available for download, but that's not what you should be learning. If you are serious about digital photography on any level, you should be learning Photoshop.

It is the industry standard and one of the most powerful image editing applications known to the industry. Aside from just editing digital photos, Photoshop can be used to create logos, design affiliate websites, design eBook covers, design CD covers, convert photos into paintings and much much more. If you are not sure about spending $ 800 on Photoshop, keep reading this article, you might change your mind.

Back in December of 1982, Adobe Systems Inc. was founded, but probably had no idea of ??how quickly Photoshop would become such a popular application. Finally in 1989 when Adobe Photoshop was launched on the Macintosh, the beginning of a whole new generation of photography was born. Photoshop has come a long way since version 1.0, and is still being developed and improved every year. It seems that when Photoshop has reached it's perfection, yet another version is released.

Some of the world's best photographers and digital artists use Photoshop for every master piece they create. Some artists have used Photoshop to make a living, creating stunning pieces of art and selling them for thousands of dollars. Now, you don't have to be an artistic genius to make money with Photoshop. The good news is, you can use Photoshop for some of the most basic digital edits and still generate money. It's just a matter of being creative. If you are a Photographer like me, it is essential to use Photoshop.

Without Photoshop, you'd never be able to fix an imperfect smile, or correct bad lighting, or swap out heads in a photo. (my favorite thing). Seriously, you can do that! Once I was shooting some infant photos and I had shot several dozen photos of infant twins. I could never get both of them to look perfect at the same moment, so I just got their best expressions from all the photos i shot and then merged them into one photo to make the perfect shot.

Adobe has drastically improved the features and usability in Photoshop over the years, but for a complete beginner, it can seem overwhelming. So how do you learn Photoshop? Well, there are dozens of ways to tackle the application, but there is only one way to truly learn anything. Patience and time are the two key elements. Unfortunately, there is no magic method to learning Photoshop, so it will take time. You can't just plug information into your brain, it's not that simple.

To really learn Photoshop, you need a step-by-step video course that will help you every step of the way. Similar to learning in a classroom environment, you'll need an instructor to walk you through the most essential features. Without knowing the most essential features, it's like walking through the dessert with no water and no shelter. You will be lost and completely hopeless. After some time, you will probably give up and quit. Photoshop is not hard to learn, but you will need instruction and video seems to be the method of choice when it comes to learning Photoshop.

The main thing to realize is that you CAN learn Photoshop It is not so difficult once you learn the basics. Without the basics, you'll be searching the internet for ever trying to find the perfect tutorial. YouTube and the video sharing sites are loaded with Photoshop tutorials. Yes, I agree, there are some fabulous tutorials out there, but they are just tidbits of information.

You can watch tutorials all day long and learn small bits of Photoshop, but you'll still be frustrated at the end of the day because you still don't know where half of the tools and functions are. Doing tutorials are great for experienced users or others who just want to freshen up their skills. To become a Photoshop Master, you must first learn the basics; such as the menus, tools, layer styles, layer adjustments, filters, adobe bridge and more. Without the basic understanding, you'll only continue to get frustrated. Once you learn everything you need to know about the basics, then you can start watching more free video tutorials. This will help you expand your ability to apply amazing effects and begin to compete with the Pros.

As mentioned previously Digital Photography Pros use Photoshop, as well as many other programs, but Photoshop is always the program of choice. If you want to make money with your photos, design beautiful websites and graphics, or create stunning artwork, Photoshop should be your # 1 program of choice.

With patience and good step-by-step instruction, you will learn the application quickly. If you are interested in learning Photoshop, we recommend you start with a Photoshop CS3 Tutorial.

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Source by Aaron Cox

Ideal Tips for Writing a Perfect Online Imagery Tutorial

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Do you have a technique of how to achieve a powerful imagery? Or, do you wish to appear as an expert on your online imagery portfolio? Well, creating your own online imagery tutorial is the way to go. You could also be a photography enthusiast who likes to teach people about ways they can be successful in their photography career. That is good! Try writing a tutorial, as your learners will enjoy it more. So, what are the tips to consider when creating an online imagery tutorial? Check out below:

Have a clear topic

It is extremely important to define the topic you want to tackle. Your subject could be something like, how to create a good illustration portrait, tips to create a misty landscape or how to create a fantasy eye, and so on. Find clarity, as in what exact question is the tutorial trying to answer. After you have done that, stay on the topic. You do not want your audience to get lost in the midst of the training because that will mean you are not a good instructor. In addition, your tutorial should not be too long. Simply stick to the particular technique, pattern or tips you want to pass across.

Be Orderly

You want your audience to reach a certain level of knowledge, right? Then, give them the rich nuggets of information you possess in a way they will like it. That means the images; symbol and writings ought to be attention grabbing, clear and arranged in a logical manner. If you prefer numbers, roman numerals, or bullet point, ensure they bring out the point perfectly. Ask yourself if your audience is able to easily follow the instructions as provided in your work.

Use Clear Pictures

They say, "An image is worth a thousand words." In fact, when it comes to a good online imagery tutorial, it is advisable that you use high-quality images when passing your message. You can edit your image to attain the light, the pixels and hue that is required. The background color of your images must also aid to bring out the best focus of the main object. Sometimes, you may need a Photoshop guru to help you come up with some perfect imageries for your tutorial. Simply check around the net for such type of assistance.

Add text or symbols to your images

To guide your audience and make your ideas clear, you may need to add text, or arrows on the images. Text and arrows on your pictures can be used to give directions on the chronology of the subtopics. You do not want anything distracting because that may cause your reader to flip over to the next website.

Use a Photo Mosaic

One way to condense huge chunks of ideas is using mosaic patterns on your online imagery tutorial. This gives a set of easy to understand directions to your audience. Also, when you have several images and you think they are all helpful in a particular step, why not make a mosaic of them. It is likelier that your audience will understand your message by comparing the multiple shots on the mosaic. In addition, this is a way to capture a wider range of readers as some shots may be much appealing to certain readers.

Use an Attractive Font Color

You may wonder what color will work best for the tutorial you want to publish on your online imagery portfolio; However, it will depend on the color of your website. Ideally, anything of high contrast will be good. So to be on the safer side, pick dark colored fonts in a case of light background and, light colored fonts for those websites with a dark background.

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Source by Rodgers Saitoti Panato

Staying social during social isolation

The current global health crisis brought on by the coronavirus pandemic is challenging workforces like never before, with an increasing number of organisations moving to a fully flexible working environment. 

For the team here at Envato, flexibility has long been at the heart of our day to day working life, and it’s certainly helped us become a better company for the global creative community.

There are now thousands of articles online with top tips, tricks and inspiration on how to make your time in social isolation work best – we quite liked Urban List’s tips on staying calm, Wired’s extensive gear and gadgets list – but one important aspect to consider is how do we keep our spirits up, and maintain social connectivity to our friends and peers in our jobs, even as our working lives shift to Slack, Google Hangouts, Zoom meetings and more. Unsurprisingly, happy employees often cite people as the reason they enjoy their job the most!

Changing the channel

Web Infrastructure Architect Andrew Humphrey knows more than most the challenges of connecting with a team, having been based in Bali for more than five years. While he’s a big fan of creating different ‘spaces’ at home for work and rest – “Remember that working from home doesn’t mean working all the time….find a separate space where its easier to switch off” – he also finds that there’s always a Slack channel he can dive into to find a social connection.

“While I’m in a privileged position of being video calls for 3-4 hours a day, where I get a lot of face time with my colleagues, I still jump into (Slack) channels like #random and #dad-jokes to help keep myself sane. I also find #work-from-anywhere a great place to turn to for advice about dealing with some of the frustrations that arise from time to time.  Folks in there likely have faced a challenge I’m dealing with and readily share how they solved it. Then for the purely social catchup, I occasionally join in the virtual coffee catchup that runs out of that channel.”

For Envato’s marketing team, who are more used to regular coffee catchups and walking meetings than solo isolation, the shift to fully remote has brought its own challenges…and opportunities. “We’ve started hosting daily coffee and tea catchups; short video calls where we jump on and hang out while making a brew,” says Marketing Director Adam Noonan, “and we’re doing a number of group activities in our team Slack channel. This week we’re running a quiz to guess what people’s home working spaces look like!”

New problems, new opportunities

It’s these new opportunities for human connection that has Jay Hyett, Senior Delivery Coach, so excited, especially as his role has a strong focus on helping teams across Envato connect and deliver their best work. “We have a great headquarters and office setup, so its a challenge to try and keep that atmosphere alive online. We’re trying a number of different ideas, including virtual water coolers for teams, where people can bring to life that impromptu hangout experience. One of our teams is trialling a Friday night drinks session over Google Hangouts and another is seeing if they can do workouts together!”

“Icebreakers are proving to be another big thing for our teams,” continues Jay, “and something that asks people to lean in and connect a bit more than they probably would day-to-day in the office. So that’s asking people to share photos of life at their house and where they’re working from, or even simply ‘are you wearing tracksuit pants today?’. Another team just did a retro where everyone brought a stuffed animal to keep them company.”

“Yes, it relies on people having a sense of humour, but that’s what makes it human, people connecting and supporting each other at a time when we’re probably having less interaction in our daily lives than ever before.”

Sharing and caring

Senior Developer Mary-Anne Cosgrove helped pioneer Envato’s social catch up program for remote workers and women in engineering. “People like to socialise over food and drink, so I set up the monthly women’s catch-ups at morning tea and lunchtime. The remote workers catch up time was a little trickier because we’re in quite a few different time zones, but we’ve settled on an early afternoon tea time. So the idea is to grab your food and beverage of choice before coming into the hangout. I’ve often asked my team to have a virtual team lunch, and sometimes they’ve even gone out to a cafe or restaurant in Melbourne and taken a laptop so they could include me there. “

“When they’ve done that, it has really helped me feel like a valued member of the team,” continues Mary-Anne. “This social interaction is hugely important, and different people need different levels of it. I’ve seen remote working fail for a person when they didn’t have enough interaction with their team and felt isolated and alone. If a person is hanging out with their team a lot in meetings and on Slack anyway they may not feel the need for virtual coffees or lunches – but the less formal virtual catchups allow us to get to know each other better than meetings where we are mostly discussing work.”

Bringing people together

Office-based events are often a perfect chance to bring people together, so spare a thought for the social committees and event organisers around the world who are scrambling to reschedule or reshape their event calendars. Envato Office Manager Ruth Crespo and Office Coordinator Tamar Collins turned the cancellation of the company’s Harmony Day potluck gathering at the Melbourne HQ into an online-based talent show, not to mention essential recipe resource.

“It’s 100% possible and necessary to find online ways to still celebrate events. Social interaction is so vital for mental health, even if it’s from the screen. It’s better to create something and give people the option to participate and connect online, than to offer nothing.

“It’s fun taking on the challenge of pivoting to cater to the new norm, and I feel lucky to have a component of my role that helps create that culture,” adds Ruth. “We really love our jobs and bringing joy to Envato staff, so it was a bit of a sad realisation when months of planning and preparation for many different events went out the window – but it’s been fun to get together and brainstorm alternatives.”

 

Our Best Working From Home Tips

Some of Envato’s regular remote workforce share their top tips for making the most from working at home.

1. Create a dedicated workspace
“Have a dedicated space for work so you can walk away from it at the end of the day. A room with a closeable door is ace if you can manage it.” Ray Grasso, Engineering Manager – Envato Elements.

“Having a dedicated space helps, as ultimately you’re just hinting at your mind when to stop/start focusing. It takes time though so don’t be critical of yourself in the early days.” Patrick Robinson, Senior Developer Ops Engineer

2. Establish a routine
“It’s easy to stay in your pyjamas and work from the lounge. Don’t do that, it doesn’t benefit you physically or mentally. Set a routine. I get dressed in the same outfit Monday to Friday; jeans and a black tee. They are my work clothes. I walk out to my mailbox in the morning, and when I come back, I’m “walking into the office” to make a coffee and start my workday”. Ben Vilnis, Junior DevOps Engineer.

3. Remember to take breaks
“Remember that working from home doesn’t mean working all the time.” Andrew Humphrey, Web Infrastructure Architect

“Schedule breaks that you’d usually take going for coffee, running into people in the halls, etc. Get up, stretch, take a few minutes to get away from the computer. Don’t take your breaks at your desk. Be mindful that without interruptions you’ll naturally spend more time at your computer and that ends up depleting your energy faster than working with others.”  Jacob Bednarz, Site Reliability Engineer

4. Get outside (when you can)
“I use the extra non-commute time or long lunch to get out in the sun. It keeps me sane and happy.” Damien Adermann, Developer

“Find your anti-hermit policy. I really like people, so when I first started working remotely I knew I needed something. For me, that became a gym class after dropping the kids at school.” Nathan Jones, Senior Developer

“Get outside and at least go for a walk each day. An activity tracker will show how sedentary you can be WFH, I try and turn commute-time into exercise time.” Lucas Parry, Lead Developer

 


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Achieving Education With Photoshop Tutorials

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In case a given software program is brand-new to you, eventually you lack enough concept of the software's applications and also applicability. To get over this situation, the best way to start with a piece of software program is to try first a tutorial. It is a comprehensive and step-by-step guidelines which helps you apprehend how to use it in executing several sort of duties. Tutorials hold a slow but certain way of learning but are shown to be extremely helpful in treating an interest that could be not known or possibly new at all to the user.

Some corporations proudly hosts a variety of tutorials which you can use to further improve your current knowledge as well as talents on many of these matters like page posting, designing, formats, features and applications and others. In case you are in to graphic designing and making use of many Photoshop software packages, having a handful of Photoshop Tutorial will obviously lend you a hand. It will help you to have practical knowledge in several things particularly the basics. When you know the basic, the rest will follow. It is of great importance since it will form a foundation education about all operations and all the features accessible in the Photoshop. Self-exploration regarding different advanced tools and strategies will be faster and easier and much less bothersome if you know by now how things operate.

Resulting from technological developments in communications and also publication, people nowadays are becoming ever much more linked. On account of Internet as a enormous collection of information and connection throughout the world, it has provided us to be able to gain knowledge in a quicker pace. Which means that if you would like to know Photoshop but do not have plenty of time to visit to a training program, then the online Photoshop Tutorial is definitely the best for you. There are numerous Photoshop Tutorial that are available online which are posted by a variety of graphic designers and Photoshop masters. Certainly the good thing regarding these tutorials is it is free to obtain and incredibly helpful. Therefore everyone has been given the ability learning on their personal time. Another methods of obtaining Photoshop Tutorial are still applied for example Shopping for Training DVDs and Unique Demonstrations but are less effective since it is time consuming and cited to be too costly.

The Photoshop Software is an excessively well taught software, which has a simple user interface. Nonetheless, as a consequence of unsubstantial experience it is typically mislead to being complicated. That is why newcomers can greatly reap the benefits of Photoshop training and tutorials. On the internet or not, some of these resources will surely make you a graphic designer amazingly rapidly!

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Source by Rufino Peligrino Jr.

How to Increase the Sharpness of a Photograph

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We mentioned in a previous article about how to take sharper photographs when we are actually taking pictures.For many people photography is both taking and processing pictures. Now that we take nice and sharp pictures, we want to maximize the quality of them. In this article, we will explain how to increase the sharpness, during post processing.

The aim is to give advices on how to obtain better sharpness through the retouching. We will only give leads for you to explore instead of recipes to apply. We can basically consider two main parts to the processing. The processing of a single photograph and the photo manipulation, which may involve several photographs.

Processing of a single photograph:

Increasing the sharpness of a photograph through the processing can be either an easy or a complicated process, it depends on how far one can go and which tools one uses.

Processing is somehow dependent on the software we use. In this article, we will mainly talk about how to deal with Adobe Photoshop and Lightroom.

If you were not to use Lightroom or Photoshop, most of the basic retouching options should still be found in other softwares.

Here are a few leads for obtaining sharpness:

Sharpness: Sharpness setting is found in any good retouching software. Depending on the software you use, it may include further settings or just simple one single setting. Further settings in Lightroom are radius, details and amount. Basically sharpness is a global unsharp mask, which will globally accentuates the details of a picture. The further settings enable you to have more control over the sharpness.

Clarity: Clarity is an option found in Lightroom, I find it very useful when I want to give strength to a picture. It makes the edges surrealistic if you over-use it though. Best used for male portraits, landscape and items photography. Combined with the sharpness setting in Lightroom, it turns this software into a very powerful retouching tool.

Noise: Noise may seem quite odd when talking about sharpness. One would mostly try to reduce noise as much as possible when taking a picture. Why would we add noise during post processing then?

It is not only the noise we are trying to keep to the minimum when taking a photograph. But it is also about retaining the maximum details available and a good dynamic of colors. This way one has more flexibility in post treatment. Adding noise is about the perception of a picture. Noise gives a photograph some texture, this perception of texture can lead to sharpness. It is a risky mix though, and should be carefully considered.

Using layers: This technique requires a powerful retouching software, such as Photoshop.

The idea is to create a new layer in which one will just accentuate some edges of a picture (the high pass filter is a good start). Then the layer is mixed with other layers (you would mostly use overlay or soft light). This technique is very powerful. Not only does it bring sharpness, but it also gives the photograph some texture. The flexibility offered by the layer system is priceless.

Using masks: The idea of ??using masks is to give sharpness by contrasts, sharpening only a small part of a picture to make it pop better. You may want to use it to emphasize one element of a photograph.

Processing of several photographs:

Processing several photographs is about combining them into one bigger and / or more detailed picture. It supposes pictures to be taken having in mind to combine them later on. In other words it usually involves a tripod, a remote, the same lens set to the same focal length, etc.

Combining images: The idea of ??combining images is to reduce the overall noise and to increase the overall resolution. One can combine images through a panorama software or using Photoshop. For more possibilities I would though advice the second method, which is directly linked to photograph combining.

High Dynamic Range imaging (HDR): HDR is very controversial, It is about shooting several pictures and then mixing them together to get the most dynamic. The idea is to overcome the sensor limit, which is to capture only a specific range. HDR offers great possibilities, which can also result in a very unreal picture look. It is to be used carefully, as a tool to reach a goal.

HDR can also be applied without giving an unreal look to pictures, it really depends on your vision and your mastering of the process.

Most HDR combining softwares give you great control over how the pictures will mix. You can use them to obtain great sharpness.

Those leads can be combined for better results. A sharpening process usually involves several stages of sharpening, so do not be afraid of trying them all.

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Source by Thibaut Fantian

How to Create Backgrounds for Pictures?

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The quality of the picture taken does not only depend on the camera but also on the kind of background you use. Digital photography has come a long way. You can click as many pictures as you want and use those which are quality pictures.

When we take pictures we hardly think about the background but before we print it we would surely like to place the picture in the best background. Today, you also have the capability to change the backgrounds for pictures.

If you are not satisfied with the background in the picture then you can change it with the help of certain software. Previously if you had to change the backdrop you had to pay the photographer hundreds of dollars.

The internet has so many things to offer these days. To change the backgrounds for pictures you just need three steps. First you need to open the original photo, secondly, you need to remove the previous backdrop and thirdly, you need to insert the digital backdrop.

There are websites like premiumdigitalbackdrops.com, digitalbackground.net, digtalanarchy.com, creativephotographybackgrounds.com and probackdrops.com which can help you with different series of backdrops for your pictures. These websites sell the tutorials along with the digital backdrops to help you change the backgrounds successfully.

You will find series like Christmas, Easter, Halloween, romance, flowers, disco, landscape, birthday and wedding. But to change the backgrounds for picture you need software like Photoshop or GIMP. Both these software programs are used to edit the graphics. Before you buy any background changing program from internet you should make sure that they offer either of these tools.

You need to learn how to use the software so that you can successfully change the background. If you find it easy to work with Photoshop then it is always better to go for the Photoshop version of the tutorial offered by the website.

But before you purchase any such program it is very important to make sure whether it is worth the money you pay. So the reviews about these websites are very important. You must also make sure that the website offers money back facility if you are not satisfied with the program.

You will take only 15 minutes or at the most half an hour to edit your photo with the help of these programs. To start with it, you need to connect the memory card of your camera to your computer and copy the pictures in a photo editing software.

The programs available on the website will give you instant access to all the series of backgrounds for pictures. The sizes of the backgrounds are 6000 by 4800 by default. The size can fit any picture easily. It might even be bigger than your picture. If it is bigger you need to edit some parts of the background also.

Digital photography has almost created a revolution in the photography industry. The readymade digital backgrounds can help you save lots of money which you had to pay to the photographer.

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Source by Gavin Smith

Photoshop's Basic Operations – Working With Images

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Adobe Photoshop may seem confusing when you first begin using it. If you're feeling overwhelmed with it, remember this: It is just a normal program like any other. You open it, edit files, save files and close it. Of course, there's a lot more to it than that, but the best way to do it is to take it one small piece at a time.

Tips On Working With Images

You work with individual image files in Photoshop. Each of these files will be saved as a specific file format such as .jpeg or .gif. If you wish to change the file format (from .gif to .jpeg for example) in which an image is saved you will need to change it by using the Save As function to create a new file. While saving the image you will have a drop down box at the bottom that will allow you to select how the file will be saved.

It is important to note that you never want to open or edit an image directly from a removable device such as your camera or a flash drive. You must always move the file you wish to edit to your local hard drive before opening or editing it with Photoshop. This will save you from the possibility of losing your work due to a problem reading from or writing to a removable device.

Saving Your Images and Files

To save your images in Photoshop you will have to use the Save or Save As command. It is important to note that once you save and close a file, that those changes are permanent and can not be undone.

My best recommendation to avoid permanently changing a file for the worse is to work on a copy of your file. To do this, simply save a backup copy to your hard drive and work on it instead of your original file. This way, if you make an error, you still have the original image to return to.

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Source by Colin Shemper

Free Photoshop Download – Gimpshop

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The free downloadable photoshop clone – GIMPshop

Photo editing IS DEFINITELY expensive software, but that doesn’t mean you should be scavenging for a free download of photoshop. For shame! But before you get all red-faced and guilt-stricken, I’m here to tell you that there IS actually a free downloadable version of this popular image manipulation software. That’s right 100% free of charge!

Why contribute to piracy when there’s absolutely no need?

Photoshop is great software (otherwise millions wouldn’t be using it). This company has built a rock solid flagship product and deserves to charge top dollar for it. Kudos to them for living the American dream. But shame on you if you indeed are trying to steel a free download. You’ve heard it before, but it’s true. As piracy becomes more and more undeniable, software companies will have to jack up their prices. And the vicious cycle will continue. I know you want to do the right thing, but the price is so high. I won’t lie, I’ve used not so ethical means to obtain software that I didn’t want to shell out huge amounts of cash for. But if I were to be slapped in the face and found out that I could be righteous and download a program that essentially does the same thing for free (legally), I’d choose free and righteous every time.

Here’s your slap in the face

Get righteous and free. There is in fact a free downloadable Adobe photoshop twin. It’s called GIMP.

GIMP is a full powered photoshop clone that is made by software developers that don’t want to charge a penny for it! (Licensed under GPL)

Don’t hurry off and search for GIMP just yet

The default GIMP interface, as one would expect, does not look exactly like photoshop. Not good if you’re used to photoshop’s interface, right? No worries, there’s a way to change that. All you have to do is download a program GIMPshop that puts a skin on top of the original GIMP program to make it look and feel more like adobe photoshop.

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92 West is a branding, digital marketing, web design and advertising agency focused on helping brands discover their true voice and sense of purpose; genuinely inspiring audiences.

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Source by Mark Bly